
Committed
By Andy Kirkpatrick
May 3, 2015
Reading Time:05 minutes.
Warning: All of these articles are decades old, most written in the 1990s! Any references to gear are now seriously outdated, as are mentions of “state-of-the-art” techniques. They are included here because they still hold some value—some fundamentals of climbing never change.
If I was asked to give a novice climber one piece of advice about technique, something that would boost their climbing by one simple mantra, it would be this:
"A committed foot never slips"
I’m not sure who told me this, but so far, as long as the foot is orientated correctly to the hold (some footholds only work if the force is applied non vertically) it has never let me down (I’m not a super hard climber, but for most climbers it should work). The variation of this saying is "A weighted foot never slips" which is actually clearer, in that by commitment we mean getting your weight onto the hold, or ‘smear or disappear’.
When you fully weight a foot, say rocking over onto something small, or stepping up onto a tiny dot, pebble or edge, by applying your weight with just enough speed (not too fast, or too slow, but gradually over a very short space of time, say half a second) you allow the sticky rubber (whatever type it is) to ‘stick’ to the rock. Now stick can mean a lot of things but primarily in used boots we are talking about deformation of the rubber, either at a microscopic level or on a large scale (say the front end of the boot deforming around an edge).
Tip
If you’re on big routes where you can come across areas of unavoidable wet or slimy rock you need to go into ‘big boot mode’ in terms of friction, in that you will only be able to trust featured holds (such as edges) – i.e there will be no friction! Going out into the mountains and climbing big routes in boots is great training for adventure climbing as it teaches you what you can and can’t do in terms of footwork, as a hold that looks like a green seventy degree swamp will never work – no matter how committed you are!
In a rock boot the rubber will engage with the spiky surface of the rock, and when pressed hard against it create a perfect mould of that contact point, conforming and deforming around each spike and grain and feature – this is what we’re talking about when we talk about friction. The harder you press the more perfect the match – and the better the match – the better the hold (think of your toes as being like an aid gadget designed to ‘fit’ the surface of the rock). You commit all your weight, a match is made, and you step up. If on the other hand you falter, and the match is incomplete, the foot half weighted, or all your weight on your arms (not committing to foot hold is a common cause of getting pumped) then your foot may pop.
Tip
You can get away with dirty or wet boots when the holds are big enough where friction does not play a role in successful upwards progress, but once it does you need to try and keep your rubber dry and clean(ish).
Some climbers carry a beer towel to clean off their boots, which works well, especially if your boots were wet as well (say the grass was wet), as it actually gives them a clean too. In very wet climbing areas climbers even go so far as carrying their beer mats with them on the climb (clipping a krab through a hole in the towel). For most climbers you can remove most of the wetness or dirt from the boot with the inside of your trousers while standing up, then use your palm and thumb to clean and dry it. Rub the toe of the boot clean until you feel its ‘tack’ return. Even if this has little real value, starting a pitch with clean and dry boots is always good for your mental state.
On some rock types such as slate, granite or limestone the friction element is marginal on this microscopic level, and we’re dealing more on a macro level of deformation, where the rubber is conforming around an edge, dimple or spike, but again the same applies, in that the boot will deform to that hold in some way – even an ‘edging boot’. So again, when stepping onto a small edge, fracture line or chicken-head, you must commit.
Read More
Reflections
Midnight Run
A midnight emergency run across Lough Corrib with a badly burned child—fear, mistakes, and instinct collide in this raw story of risk, parenting, and consequence.By Andy Kirkpatrick
Reflections
G is for Garibotti
A quiet evening in Rolando Garibotti’s Boulder kitchen in 2004 reveals the human side of one of Patagonia’s greatest climbers. A personal reflection on talent, illness, humility, and the day climbing regained its wonder.By Andy Kirkpatrick
Reflections
U is for Unknown Pleasures
What do you really get out of climbing? Not just the views. A deeply personal reflection on the small, unexpected rewards of mountaineering — from frost-nipped fingers and cheap tea to coming home changed.By Andy Kirkpatrick
Climbing
GriGri Unconfidential
A raw, honest confession about repeatedly fucking up with the Petzl GriGri — misthreading, open-device rappels, and the psychology of climber errors. Not a gear review, but a deep look at why we all make mistakes and why honesty matters more than looking competent.By Andy Kirkpatrick
Climbing
Beyond Help
When professional rescue isn’t coming: A gripping account of a near-fatal fall in Kenya and a fatal accident in Kalymnos. Essential reading on self-rescue, expectations vs reality, and staying alive in the mountains.By Andy Kirkpatrick
Climbing
Psycho Vertical (2017)
"Psycho Vertical: a raw climbing film about fear, obsession, and pushing into the vertical unknown, where control slips and consequences bite."By Andy Kirkpatrick
Reflections
Brotherhood of Rope
Andy Kirkpatrick returns to climbing after a neglected bicep injury, grappling with ego-bruising restarts, chaotic family crag days, and the raw futility of the sport. Reflections on old friends, near-misses, and the heavy shadow of suicide—including the sudden loss of a charismatic climbing mate and a salvific message from a fallen hero—explore pain, connection, and why words can feel like morphine when life unravels. Intimate, humorous, and unflinching.By Andy Kirkpatrick